anyone have any impressions of the Peavy Rumble bass amp?
anyone have any impressions of the Peavy Rumble bass amp?
Considering this amp for my son, would like to know if this is a solid bass amp that he can gig with too.Thanks
"He who trims himself to suite others, will soon whittle himself away"-Unknown
- slackin@dabass
- Diamond Member
- Posts: 1341
- Joined: Sun Mar 30, 2008 8:51 pm
- Location: tyrone, pa
- Contact:
i've been gigging a fender rumble for about a year now. it only acted up once and it can be loud. to quote greg from knight sound: i'm mixing everyone else up to you.
it's only 100 watts. it's not a bad amp. it's not amazing either (it ain't no ampeg!), but it'll work!how big you lookin to go?
it's only 100 watts. it's not a bad amp. it's not amazing either (it ain't no ampeg!), but it'll work!how big you lookin to go?
Can you identify a genital wart?
Just big enough for him to get over his sisters drum set and be able to play patio parties.Yes , I meant the Fender Rumble.Do you have the 212 or the 115? I noticed there is only $20 differenve between the 115 and the 212.Might as well get the 212 huh?
"He who trims himself to suite others, will soon whittle himself away"-Unknown
-
- Diamond Member
- Posts: 1322
- Joined: Fri May 16, 2008 2:01 pm
- Location: Workin' in a Soylent factory, Waitin' for the Malthusian catastrophe.
depends on the bass.. if you have a fretless I would think the amp would sound like
"mwaaa mwaaa mwaaaaaa"
P-bass:
"bummm bummm snap bummm snap bummm"
J-bass:
"dooo dooo dooo do-do-do-do-do-do-do"
.... nevermind...
I never was good at doing impressions...
Anyway... for combos, I like Fender and SWR. They are normally pretty tough. Fender for a good all-rounder, SWR for more modern and/or heavy stuff.
Crate has a good modern tone from their combos, but they distort easier anymore (back in the early-mid 90's crate made some awesome 1x15 combos that got stupid loud and stayed clean).
"mwaaa mwaaa mwaaaaaa"
P-bass:
"bummm bummm snap bummm snap bummm"
J-bass:
"dooo dooo dooo do-do-do-do-do-do-do"
.... nevermind...
I never was good at doing impressions...
Anyway... for combos, I like Fender and SWR. They are normally pretty tough. Fender for a good all-rounder, SWR for more modern and/or heavy stuff.
Crate has a good modern tone from their combos, but they distort easier anymore (back in the early-mid 90's crate made some awesome 1x15 combos that got stupid loud and stayed clean).
- slackin@dabass
- Diamond Member
- Posts: 1341
- Joined: Sun Mar 30, 2008 8:51 pm
- Location: tyrone, pa
- Contact:
rickster wrote:Just big enough for him to get over his sisters drum set and be able to play patio parties.Yes , I meant the Fender Rumble.Do you have the 212 or the 115? I noticed there is only $20 differenve between the 115 and the 212.Might as well get the 212 huh?
mine is the 15. i think you mean 2x10, because most bass combos don't come in 2x12. 10's on bass are punchier. if i could do it over, i'd have gotten the 2x10. go with the 10's!
Can you identify a genital wart?
if I was building a new rig, I'd go with single 12"s stacked to take advantage of the properties of line arrays, but that's kind of neither here nor there.slackin@dabass wrote:mine is the 15. i think you mean 2x10, because most bass combos don't come in 2x12. 10's on bass are punchier. if i could do it over, i'd have gotten the 2x10. go with the 10's!
I'd also consider using 2 2x10's in a tall skinny stack, but I'd never fit my amp on top.
Stand back, I like to rock out.
- slackin@dabass
- Diamond Member
- Posts: 1341
- Joined: Sun Mar 30, 2008 8:51 pm
- Location: tyrone, pa
- Contact:
MeYatch wrote:if I was building a new rig, I'd go with single 12"s stacked to take advantage of the properties of line arrays, but that's kind of neither here nor there.slackin@dabass wrote:mine is the 15. i think you mean 2x10, because most bass combos don't come in 2x12. 10's on bass are punchier. if i could do it over, i'd have gotten the 2x10. go with the 10's!
I'd also consider using 2 2x10's in a tall skinny stack, but I'd never fit my amp on top.
there's lots of talk on talkbass.com about this. is it really that prominent of a difference for a vertical stack as opposed to just actually having the speakers closer to your ears? i don't believe the hype without some kind of proof... but the only thing i have to compare it to is my current combo! i did see that the new t.c. electronics bass cabs are designed to be stacked end on end or the normal (?) way. i dunno. i think my new rig is going to involve a tech21 rbi, a qsc gx5, and an avatar 2x10 on top of an avatar 2x12 (both 8 ohm). then eventually, i'll get another 2x10 and compare the vertical array. have you tried a vertical stack to see if it really is worth it?
Can you identify a genital wart?
2 speaker drivers won't come close to reproducing the effects of a line array. The only advantage would be that one of the speakers would be closer to ear level.
Besides, why would you want a line array on a stage rig? Line arrays are used to project sound over distance and reduce the perceived near-field volume. So it would enable the sound guy to hear your bass sound better, (which isn't a good thing), and reduce your ability to hear it on stage, another strike.
For PA systems, it's a completely different story.
Besides, why would you want a line array on a stage rig? Line arrays are used to project sound over distance and reduce the perceived near-field volume. So it would enable the sound guy to hear your bass sound better, (which isn't a good thing), and reduce your ability to hear it on stage, another strike.
For PA systems, it's a completely different story.
... and then the wheel fell off.
maybe it wouldn't reproduce all the benefits of a line array, but it would still eliminate some of the deficiencies in current speaker design.Ron wrote:2 speaker drivers won't come close to reproducing the effects of a line array. The only advantage would be that one of the speakers would be closer to ear level.
Besides, why would you want a line array on a stage rig? Line arrays are used to project sound over distance and reduce the perceived near-field volume. So it would enable the sound guy to hear your bass sound better, (which isn't a good thing), and reduce your ability to hear it on stage, another strike.
For PA systems, it's a completely different story.
I've also been considering building some kind of case for a single cab, that I could then stack the rig on top of, to get a speaker closer to my ear, so I could hear it better while reducing overall volume.
Stand back, I like to rock out.
- slackin@dabass
- Diamond Member
- Posts: 1341
- Joined: Sun Mar 30, 2008 8:51 pm
- Location: tyrone, pa
- Contact:
well, nothing sounds like an 8x10... unfortunatly, nothing is as heavy as one either!
at least the avatar cabs are light as hell. i think the 2x12 weighs a massive 56 pounds. that's lighter than my combo.... i think... no, maybe not, i dunno.
thanks for explaining ron. i knew it had to be some kinda hype. maybe if you were playing a show with no PA support, it'd be a decent idea. even then, though, if your not using a full PA, chances are that the room isn't huge anyway.
at least the avatar cabs are light as hell. i think the 2x12 weighs a massive 56 pounds. that's lighter than my combo.... i think... no, maybe not, i dunno.
thanks for explaining ron. i knew it had to be some kinda hype. maybe if you were playing a show with no PA support, it'd be a decent idea. even then, though, if your not using a full PA, chances are that the room isn't huge anyway.
Can you identify a genital wart?