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felix'apprentice
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Your #1

Post by felix'apprentice »

Whats your number #1 guitar/bass your using right now. Post pics and specs if ya could!

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Mines a Fender 56 Reissue Road Worn - i fell in love with this thing the first time i played it. Still has the Tex Mex Pups in it - some people dont like these but i love the tone/sound. It came with 10 gauge strings - set up from the factory, but i had it changed out to 12 gauge and it made a monster difference in the tone. I also changed out the original white pickgaurd (i thought it looked kinda cheesy). I love the black on the sunburst. Also added Fender strap locks. I'm pretty sure that will be it as far as changes go.

sooooo ..... whats your #1!!!

- kayla.
`(FENDER)`
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bassist_25
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Post by bassist_25 »

"Tech, tech, tech," Lonewolf, copyright 2011. :D

Seriously, I have two Number Ones.

First, a 2000 Carvin LB75:

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Alder body wings, Maple and Koa neck, Ebony fretboard, J99 pickups, 9v preamp...I really dig this bass and have been playing it for close to six years now. It's played a lot of shows. I bought it on Ebay, ironically, from a guy who lives in Lancaster.

Next, a 2008 Carvin Icon 5 (can you tell my favorite bass brand?):

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Mahogony body wings, Walnut and Maple neck, figured Walnut top, Rosewood fretboard, soapbar pickups, and 18v preamp...I ordered this one straight from Carvin. Whereas I'd describe the LB75's sound as a cross between a Jazz Bass and a Spector, I'd describe the Icon as being very Warwick-like. It's dark and growly, which is what I was going for with my wood choices. It has one of the most comfortable necks I've ever played.

I'm looking forward to seeing what everyone posts here.
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Post by f.sciarrillo »

Carvin makes some great equipment, that is for sure.
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Post by mjb »

those are honeys paul! not a fan of road-worn guitars, i believe you should have a stories for all the knicks and dings in your axe, it takes a l-o-n-g time, alot of blood sweat and tears to wear a fretboard out like that!
just sayin.
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felix'apprentice
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Post by felix'apprentice »

mjb wrote:those are honeys paul! not a fan of road-worn guitars, i believe you should have a stories for all the knicks and dings in your axe, it takes a l-o-n-g time, alot of blood sweat and tears to wear a fretboard out like that!
just sayin.
ya, you may be right. but, i can't help what guitar i fell in love with. i love the sound, i love the feel and look of the guitar.
`(FENDER)`
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Post by DirtySanchez »

I agree, MikeJB.
However, when I first saw felix's strat I was in awe. Just watching him play that thing and see him treat it like a tool, not a toy. Fucking Awesome!

/hijack
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bassist_25
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Post by bassist_25 »

I'm generally not a fan of road worn guitars either, but Felix'A's Strat looks really nice. A lot of "distressed" instruments look really cheesy. They may fool someone 10 feet away, but they are obviously reliced in the factory when you get two feet from them.

I'm hoping that my basses have worn finishes twenty years from now. But perhaps not...from what I understand, the reason why old Fenders always have worn finishes has to do with the low quality of primer that was used back in the day.
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Post by mjb »

i was just stating my opinion kla, you are such a sweet person and kind and generous, i wasn't trying to make you feel bad but just simply, stating my opinion of fenders guitars don't take personally. i LOVE a bitched up ax, i love felixs guitar, hes handed to me to play and i won't won't even touch it, coz it so beautiful. Nowadays you have total-all-of-a-sudden-i'm-a-bluesman-assholes like john mayer up on stage with his totally beat up axe using it more for a fashion statement. you know good and goddamn well that he aint wore that axe out like that... no stories behind the wear and tear other than he was running through the halls of his highschool till he had enough money to go to Gruens(sp) and buy his beat up ax. best part of him ran down his moms leg. but i gigress. :lol:
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Post by mjb »

felixs' strat is worn from playing lord only knows how many thousands of gigs with it... the way it should be! legit. oh..and Happy Birthday Felix!
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Post by KeithReynolds »

I dont really play anymore. The Gtrs (and bass) I have now really arent anything to be proud of. I could never justify spending alot on an instrument. It seems the only "reason" to own expensive instruments and amps is for self-indulgence.

For gtrs or basses, change the pickups to something better and almost any guitar or bass will sound fine. Most of the tone and sound comes from the player's hands anyway. The WAY the instrument is played has alot to do with it. thats why even when crappy players buy top of the line gear, it still just sounds bad. Trust me, Im all too familiar bad technique! :lol:
PLUS, All of my stuff always gets damaged from not ever having proper places to put things. It would be a total waste for me to buy anything good.
For me to put money into guitars and basses is stupid for me. Even amps! As discussed in another thread, a good processor is the way to go. Why waste $2000 on ONE good amp...when you can spend $500 on something that has a BUNCH of modeled amps that are pretty damn good.
Who's really gonna notice the difference??
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Post by MeYatch »

This is my favorite bass:
Image

Its a 1997 American Standard Jazz Bass. It has Dunlop Strap locks and a replacement black pickguard. The rest is all original, and its the best sounding bass I've ever heard.

Currently I am playing this bass the most:
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Its a 1973 Gibson EB3. It has 2 Dimarzio Model One humbuckers, Coil Tap Switches, a deeper cutaway, Hipshot replacement bridge, brass nut, guitar pickup selector switch instead of the confusing rotary switch.

It sounds awesome for poppy stuff, but I'm still trying to coax a more aggressive sound out of it. I'm probably barking up the wrong tree, but I'm still trying some stuff.

I don't really care too much about relicced guitars. Obviously an original vintage guitar with real wear is cooler, but I don't understand why some people seem to be genuinely offended by fake wear.

Personally I think Fenders Road Worn series is a little overpriced, or I'd probably have one. I played a Fiesta Red Road Worn Jazz, and it was awesome.
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Post by MeYatch »

KeithReynolds wrote:I dont really play anymore. The Gtrs (and bass) I have now really arent anything to be proud of. I could never justify spending alot on an instrument. It seems the only "reason" to own expensive instruments and amps is for self-indulgence.

For gtrs or basses, change the pickups to something better and almost any guitar or bass will sound fine. Most of the tone and sound comes from the player's hands anyway. The WAY the instrument is played has alot to do with it. thats why even when crappy players buy top of the line gear, it still just sounds bad. Trust me, Im all too familiar bad technique! :lol:
PLUS, All of my stuff always gets damaged from not ever having proper places to put things. It would be a total waste for me to buy anything good.
For me to put money into guitars and basses is stupid for me. Even amps! As discussed in another thread, a good processor is the way to go. Why waste $2000 on ONE good amp...when you can spend $500 on something that has a BUNCH of modeled amps that are pretty damn good.
Who's really gonna notice the difference??
Keith, you always have an opinion on stuff don't you?

You know I mean nothing personal, but how can you say you don't play much anymore, and then say expensive instruments are a waste in the same post?

If you don't get it, that's cool, but there are a variety of reasons why someone might buy an expensive instrument or amp.

If you can afford it and it makes you happy, why not?
Stand back, I like to rock out.
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Post by floodcitybrass »

For 50s rock
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For jazz
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For my trio gigs:
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Post by Banned »

MeYatch wrote:This is my favorite bass:
Image

Its a 1997 American Standard Jazz Bass. It has Dunlop Strap locks and a replacement black pickguard. The rest is all original, and its the best sounding bass I've ever heard.

Currently I am playing this bass the most:
Image

Its a 1973 Gibson EB3. It has 2 Dimarzio Model One humbuckers, Coil Tap Switches, a deeper cutaway, Hipshot replacement bridge, brass nut, guitar pickup selector switch instead of the confusing rotary switch.

It sounds awesome for poppy stuff, but I'm still trying to coax a more aggressive sound out of it. I'm probably barking up the wrong tree, but I'm still trying some stuff.

I don't really care too much about relicced guitars. Obviously an original vintage guitar with real wear is cooler, but I don't understand why some people seem to be genuinely offended by fake wear.

Personally I think Fenders Road Worn series is a little overpriced, or I'd probably have one. I played a Fiesta Red Road Worn Jazz, and it was awesome.
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Post by bassist_25 »

KeithReynolds wrote:It seems the only "reason" to own expensive instruments and amps is for self-indulgence.
I'm sure that holds true for some people. In my experience, more expensive instruments sound better, play better, take a setup better, and generally make sound engineers more happy.

However, in my experience, there is a law of diminishing returns. I've played $600 basses and $2000 basses. I notice a pretty big difference between the two. However, I've played $4000 basses, too, and, while the 4k basses may have more fancy tops and that boutique vibe, the real world difference between those basses and the 2K basses was negligible.

For gtrs or basses, change the pickups to something better and almost any guitar or bass will sound fine.
I totally disagree. Construction means so much on an instrument. It's not a secret here that I have a disposition towards five strings. A poorly constructed five string is going to severely suffer with how well the B string plays and rings. All good pickups are going to do is amplify a floppy, acoustically inarticulate B string.

I have a really cool cheap Jazz Bass copy that I dropped a set of Bartolinis in. The pickups cost about as much as the bass did. It might compete now with a MIM Fender Jazz. It wouldn't come close to touching a MIA Fender, though. Even with the boutique pickups, it doesn't come close to touching the two Carvins with stock electronics that I posted above.
Most of the tone and sound comes from the player's hands anyway. The WAY the instrument is played has alot to do with it. thats why even when crappy players buy top of the line gear, it still just sounds bad.
Totally agree. However, a great player is going to make a quality instrument sound great too; and making music will ultimately be easier, because he or she won't have to fight the instrument.

I'm a huge proponent of good technique and musicianship, but there are some things that good playing won't totally overcome, like muddy tone from a poorly voiced amplifer or noisey signal from bad shielding.
Who's really gonna notice the difference??
I would.

And really, it all comes down to player preference. Play what you dig, whether it's a $300 guitar or a $3000 guitar.

Ahh, remember when the days of Keith and me disagreeing meant a three page flame war? :lol: The times, they are a changin'.
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Post by KeithReynolds »

bassist_25 wrote:
Ahh, remember when the days of Keith and me disagreeing meant a three page flame war? :lol: The times, they are a changin'.
I know! I love you Paul! :lol:
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Post by onegunguitar »

KeithReynolds wrote:I dont really play anymore. The Gtrs (and bass) I have now really arent anything to be proud of. I could never justify spending alot on an instrument. It seems the only "reason" to own expensive instruments and amps is for self-indulgence.

For gtrs or basses, change the pickups to something better and almost any guitar or bass will sound fine. Most of the tone and sound comes from the player's hands anyway. The WAY the instrument is played has alot to do with it. thats why even when crappy players buy top of the line gear, it still just sounds bad. Trust me, Im all too familiar bad technique! :lol:
PLUS, All of my stuff always gets damaged from not ever having proper places to put things. It would be a total waste for me to buy anything good.
For me to put money into guitars and basses is stupid for me. Even amps! As discussed in another thread, a good processor is the way to go. Why waste $2000 on ONE good amp...when you can spend $500 on something that has a BUNCH of modeled amps that are pretty damn good.
Who's really gonna notice the difference??
Well,I can tell you one thing- I've played cheaper amps and higher priced ones and the quality and tone is way better with the more expensive amps,as they should be. I have a Mesa M6 bass head and that thing is so big,clear,punchy and articulate that if my playing isn't up to par it will definitely be heard.
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Post by bassist_25 »

Scott, Kenny and I were at Guitar Center a few weeks ago and I tried out the M6. It is a mighty cool head.
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Post by onegunguitar »

bassist_25 wrote:Scott, Kenny and I were at Guitar Center a few weeks ago and I tried out the M6. It is a mighty cool head.
Yes it is. I get alot of great compliments on my tone :) :) :)
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Post by MOONDOGGY »

These are the 2 basses I've owned the longest. I just can't find anything that beats a Spector!

'98 NSCR5FM:

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And '96 USA BOB 4:

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I'm convinced the older solid maple Euros (NSCRFMs) are THE essential rock bass. They just have the 'it' tone. They're awesome for a lot of other styles too. And the BOB bass is simply the most versatile bass I've played. I've never played a bass that can pull off a burpy J tone, a dirty P, a ballsy MM, a bell-like Ric tone and everything in between.



I had two 6 strings that were my 'go to's but I managed to fall out of love with them!
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Post by Dead34 »

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My number 1 is a 1982 Gibson Les Paul Delux Gold Top. It was a gift from my old man before he passed away, he had it under his bed for as long as I ever knew him and never touched it. lol Simply put, this guitar is the best playing/sounding guitar I have ever had the privilege of playing. Except for the locking straps, it's all original and I plan to keep it way.

As far as amps go (since I've seen some mention of them in the thread) I play through a Mesa Trip Rec Solo head. Of all the amps I've ever played through, it's the only one that managed to capture the ever elusive sound that I had in my head. Although on the pricey side, I feel it was worth every single penny. [/img][/url]
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Post by hicksjd9 »

A great amp can make a crap guitar sound good and a great guitar sound awesome. A crap amp makes everything sound crap.

For tone, amp > guitar.

For live use, a mid level guitar with a great amp can sound awesome, but the place where really nice guitars truly shine is in the studio where all of their subtleties can be heard.

But we all love the beauty of a finely crafted guitar. It's not too often you see a thread titled, "Show me your favorite amp."
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